Beauty for Our Moment
Seeing Deeply in an Age of Distraction
In our visually saturated world, where images flicker before us at an unprecedented rate—social media feeds, advertisements, streaming content, and the endless scroll—we have paradoxically become less skilled at truly seeing. We consume visuals constantly yet rarely engage in the transformative act of deep looking that great art invites and rewards.
The Symposium Institute’s “Beauty for Our Moment” series offers a radical alternative: the opportunity to slow down and truly see masterworks that have captivated humanity across centuries and cultures. Through deliberate, communal engagement with selected works—whether Rembrandt’s penetrating self-portraits, Leonardo’s mysterious compositions, Michelangelo’s dynamic forms, Titian’s luminous colors, or the sublime spatial poetry of Chinese landscape painting—participants rediscover the lost art of looking.
Why These Works, Why Now
Great art has always offered windows into deeper understanding of the human condition, but certain masterworks speak with particular urgency to our present moment:
- In an age of artificial and manipulated imagery, these works embody authentic human vision and craftsmanship
- In our culture of speed and efficiency, they invite the countercultural practice of patient attention
- Amid our fascination with novelty, they demonstrate the enduring power of artistic traditions
- In our increasingly virtual existence, they remind us of the irreplaceable value of material presence and embodied perception
- During times of social fragmentation, they offer shared reference points that transcend cultural divisions
When we engage deeply with these works, we aren’t simply appreciating aesthetic objects—we’re participating in a dialogue across time about what it means to be human, to perceive beauty, to make meaning of our experiences.
Our Approach: Slow Looking
The Symposium Institute’s approach to visual art differs fundamentally from typical museum visits or art history lectures. Rather than surveying many works briefly or analyzing them primarily through historical context, we practice “slow looking”—a contemplative engagement with a carefully curated selection of masterworks:
- Extended viewing periods allow initial impressions to deepen into more nuanced perception
- Guided attention to formal elements (line, color, composition, light) opens new dimensions of seeing
- Communal dialogue reveals aspects of the work invisible to individual perception
- Connections to personal experience transform abstract appreciation into embodied understanding
- Alternating between focused attention to details and holistic perception of the whole work mirrors the artist’s own creative process
This approach draws inspiration from multiple traditions: the connoisseurship practices of traditional Chinese and Japanese art viewing, the phenomenological approach to perception developed by philosophers like Merleau-Ponty, and contemporary museum education methods that prioritize direct engagement over passive reception of expertise.
From Looking to Seeing to Insight
The true value of our “Beauty for Our Moment” series lies not in acquiring knowledge about art, but in developing capacities that extend far beyond the seminar:
- Attention muscles strengthened through slow looking serve us in all domains of life
- Comfort with ambiguity and multiple interpretations fosters intellectual flexibility
- Visual literacy enhances our ability to navigate an increasingly image-dominated world
- The experience of beauty provides a wellspring of renewal amid daily challenges
- Communal aesthetic experiences create bonds that transcend ordinary social categories
In a culture that increasingly treats attention as a commodity to be harvested and sold, the practice of freely giving our attention to works of profound human creation becomes a quiet act of reclamation—of our perceptual sovereignty, our contemplative capacities, and our connection to beauty as a fundamental human need rather than a luxury.
An Invitation
Whether we turn our gaze to Rembrandt’s penetrating self-knowledge, Leonardo’s mysterious integration of science and art, Michelangelo’s sublime human forms, Titian’s sensuous color harmonies, or the transcendent spaces of Chinese landscape traditions, we are invited into a mode of engagement that counters the fragmentation and acceleration of contemporary life.
We invite you to join us in rediscovering what it means to truly see—not merely to look at—the masterworks that continue to illuminate the human experience across centuries, cultures, and changing worlds. In doing so, we might just rediscover aspects of our own humanity that our moment most needs to remember.
Tutor: David Saussy
Format for the Series:
Three 90-minute unhurried reading sessions.
Limited to 12-15 participants to ensure meaningful discussion
- Prior preparation viewing of artworks may be recommended, but the work each session is viewed in conversation
Primary focus is on the work of art itself.
Emphasis on personal and collaborative response and contemporary application
No prior philosophical background required
Pricing:
Free for current Symposium Institute subscribers
A single 3 session seminar is $85 for non-subscribers. 2 and 3 pack pricing available for the “Our Moment” series.
- Register in advance, using the form below
Works in this Series for 2025 (See below for more information)
Beauty for Our Moment
Rembrandt’s Self-Portraits
Overview
In our age of carefully curated social media personas and ubiquitous smartphone selfies, Rembrandt van Rijn’s remarkable series of self-portraits offers a profound counterpoint on the nature of self-representation, aging, and authentic self-examination. Over his lifetime, Rembrandt created approximately 80 self-portraits in paintings, drawings, and etchings—an unprecedented visual autobiography spanning from his ambitious youth to his reflective final years. This three-week seminar invites participants to engage in slow, contemplative viewing of selected self-portraits, exploring how one of history’s greatest artists used his own image to investigate the human condition, the passage of time, and the mysterious depths of identity.
Week 1: The Young Artist (1620s-1630s)
Focus Works:
- Self-Portrait with Dishevelled Hair (1628, Rijksmuseum)
- Self-Portrait at the Age of 34 (1640, National Gallery, London)
Exploration:
We begin with Rembrandt’s early self-portraits, created as he was establishing himself as an ambitious young artist in Amsterdam. Our slow viewing will explore how these works function simultaneously as advertisements of his technical virtuosity, experiments in expression and lighting, and early investigations of identity. We begin by simply making together and noticing. We’ll possibly examine:
- The theatrical elements in his early self-representations
- His experimentation with lighting, costume, and expression
- The confidence and bravado of youth contrasted with moments of vulnerability
- The distinct difference between these “performed” self-images and today’s selfie culture
Participants might be be invited to compare Rembrandt’s conscious self-fashioning with contemporary practices of identity creation through social media, considering what each approach reveals or conceals about the self.
Week 2: Mid-Life and Success (1640s-1650s)
Focus Works:
- Self-Portrait (1652, Kunsthistorisches Museum, Vienna)
- Self-Portrait (1658, Frick Collection, New York)
Exploration:
Continuing our measured pace, we’ll explore Rembrandt’s self-portraits from his middle years—a period marked by professional success but also personal tragedy and financial troubles. In these works, we see a shift toward greater psychological complexity and introspection. We’ll reflect on:
- The increasing psychological depth in these portraits
- How Rembrandt portrays himself in the clothing of past masters or historical figures
- The contrast between public success and private struggles
- The evolution of his technical approach—looser brushwork and more complex lighting
Through extended looking and discussion, participants will consider how these works reveal Rembrandt’s changing relationship with himself and his art during a period of personal turbulence, and how they differ from both his earlier self-representations and our contemporary visual culture.
Week 3: Wisdom and Mortality (1660s-1669)
Focus Works:
- Self-Portrait with Two Circles (1665-1669, Kenwood House, London)
- Self-Portrait at the Age of 63 (1669, National Gallery, London)
Exploration:
In our final session, we’ll examine Rembrandt’s late self-portraits, created in the last decade of his life. These profoundly moving works show the artist confronting aging and mortality with unflinching honesty yet remarkable compassion. We’ll explore:
- The unsparing depiction of aging and physical decline
- The extraordinary depth of self-knowledge and acceptance
- The culmination of his technical innovations—thick impasto, complex layering, radiant inner light
- How these works transcend mere self-representation to become universal reflections on the human condition
Participants could be invited to reflect on how these final self-portraits offer a radically different vision of the relationship between self-image and authenticity than our contemporary culture of filters and careful curation.
Modern Relevance:
This series speaks directly to our current preoccupation with self-image, visual identity, and the presentation of self in digital spaces. Rembrandt’s self-portraits offer a profound alternative to today’s selfie culture—not quick, flattering snapshots but deep, honest explorations of identity, aging, and the human face as a map of experience. In an age often characterized by superficial self-representation, these works demonstrate the power of sustained self-examination and the courage to face oneself without filters or idealization.
The seminar creates space to consider essential questions about how we see ourselves, how we present ourselves to others, and what constitutes authentic self-knowledge. It invites participants to experience how slow engagement with great art can illuminate their own relationship with self-image, aging, and authenticity in our digital age.
Format:
- 90-minute sessions
- Limited to 12-15 participants to ensure meaningful discussion
- No prior art history knowledge required
- High-quality reproductions provided for extended viewing
- Primary focus on the visual experience itself, with facilitator providing minimal historical context
- Extended looking periods followed by guided discussion
- Emphasis on personal response and contemporary relevance
Pricing:
- Free for current Symposium Institute subscribers
- $85 for non-subscribers
- Register below
Velázquez: Mirrors of Power and Perspective
Overview
In our era of digital manipulation, virtual reality, and constructed visual narratives, Diego Velázquez’s masterful explorations of perception, reality, and representation offer profound insights into how we understand truth and perspective. This three-week seminar centers on Velázquez’s revolutionary masterpiece, “Las Meninas” (1656), alongside his equally complex “The Rokeby Venus” (1647-51), inviting participants to engage in slow, contemplative viewing of these works. Together, we’ll explore how Spain’s court painter used revolutionary techniques to question the nature of reality, perception, power relationships, and the very act of looking. Through extended engagement with these paintings, we’ll discover how Velázquez’s visual puzzles continue to challenge and illuminate our understanding of representation in today’s image-saturated world.
Week 1: Las Meninas – The Puzzle of Perspective
Focus Work:
Las Meninas (1656, Museo del Prado, Madrid)
Exploration:
We begin with an immersive exploration of “Las Meninas,” often considered the most complex and enigmatic painting in Western art. Our slow viewing will investigate how this work functions simultaneously as a royal portrait, a self-portrait, a philosophical meditation on perception, and a revolutionary statement about the status of art and artist. We’ll start by simply observing together, noticing the intricate elements of this visual puzzle. We might examine:
– The complex spatial relationships and multiple perspectives within the composition
– The interplay of gazes—who is looking at whom, and where are we positioned as viewers?
– The painting’s use of mirrors and reflections to create layers of reality
– The presence of the artist himself within the scene, and what this suggests about the status of art
– The tension between what is shown and what is implied or hidden
Participants might be invited to consider how Velázquez’s masterful manipulation of perspective relates to contemporary questions about reality, representation, and the reliability of what we see in our age of digital manipulation.
Week 2: The Rokeby Venus – Desire and Reflection
Focus Work:
– The Rokeby Venus (1647-51, National Gallery, London)
Continuing our measured pace, we’ll turn to “The Rokeby Venus,” Velázquez’s only surviving nude and one of his most psychologically complex works. This painting, like “Las Meninas,” employs mirrors and reflection to create a sophisticated meditation on seeing and being seen. We’ll reflect on:
– The unconventional presentation of the female form and its departure from idealized nudes
– The use of the mirror as both compositional device and philosophical tool
– The ambiguity of the reflected face and what it suggests about identity
– The painting’s exploration of desire, beauty, and the act of looking
– The work’s complex history, including its shocking 1914 attack by a suffragette
Through extended looking and discussion, participants will consider how this work complements and contrasts with “Las Meninas” in its exploration of perspective and reflection, and how it speaks to contemporary issues surrounding representation of the body, gender, and the power dynamics of viewing.
Week 3: Bringing It Together – Reality, Illusion, and Modern Resonance
**Focus Works:**
– Las Meninas (1656, Museo del Prado, Madrid)
– The Rokeby Venus (1647-51, National Gallery, London)
Exploration:
In our final session, we’ll bring both paintings into dialogue, exploring their shared themes and techniques while considering their profound impact on subsequent generations of artists and thinkers. These revolutionary works continue to raise essential questions about the nature of representation and reality. We’ll explore:
– How both paintings use mirrors and reflection to create complex layers of reality
– The revolutionary nature of Velázquez’s approach to perspective and illusion
– The philosophical dimensions of these works and their influence on thinkers from Foucault to contemporary philosophers
– How these paintings anticipate modern and postmodern concerns about representation, reality, and the construction of meaning
– The relevance of these works to contemporary visual culture and our understanding of images
Participants could be invited to reflect on how these masterworks offer insights into our current media environment, where questions of truth, perspective, and representation have taken on new urgency in an age of digital manipulation, “fake news,” and virtual reality.
Modern Relevance:
This series speaks directly to our current technological moment, where digital tools have made reality increasingly malleable and subject to manipulation. Velázquez’s paintings, created centuries before Photoshop or virtual reality, already questioned the reliability of vision and the complex relationship between reality and representation. In an era where the boundaries between the real and the virtual are increasingly blurred, these works offer profound insights into how we construct and perceive reality through images.
The seminar creates space to consider essential questions about perspective, truth, power, and the act of looking itself. It invites participants to experience how slow engagement with great art can illuminate their own relationship with images and representation in our digital age.
Format:
– 90-minute sessions
– Limited to 12-15 participants to ensure meaningful discussion
– No prior art history knowledge required
– High-quality reproductions provided for extended viewing
– Primary focus on the visual experience itself, with facilitator providing minimal historical context
– Extended looking periods followed by guided discussion
– Emphasis on personal response and contemporary relevance
Pricing:
– Free for current Symposium Institute subscribers
– $85 for non-subscribers
Register below
Praeludium
The Value of Social Learning in Our Moment
Why Reading and Viewing Together Matters Now More Than Ever
In an age of unprecedented access to information and art—when virtually any book can be downloaded instantly and the world’s greatest museums offer virtual tours—why gather to read slowly or view art communally? What makes the Symposium Institute’s approach to shared intellectual exploration particularly valuable in our current moment?
The Paradox of Modern Isolation
We live in a time of curious contradiction: never have we been more connected through technology, yet many experience profound isolation and fragmentation. We consume vast quantities of content, yet often feel unable to digest or integrate it meaningfully. The very abundance that should enrich us can instead overwhelm us, leaving little space for the deep reflection that transforms information into wisdom.
Social learning through slow, deliberate engagement with great works offers a powerful antidote to these modern conditions:
The Transformative Power of Communal Reading and Viewing
1. Deepened Perception Through Multiple Perspectives
When we encounter texts or artworks in isolation, we are limited by our individual blind spots and preconceptions. In community, we gain access to dimensions of meaning we might never discover alone:
- A passage from Seneca that seemed merely ornamental might be revealed as profound when another reader shares how it illuminates their experience
- A subtle detail in Rembrandt’s brushwork, noticed by another viewer, transforms our understanding of the entire self-portrait
- Our own observations, when articulated and received by attentive others, become more refined and substantial
The phenomenologist Maurice Merleau-Ponty described perception as inexhaustible—no single perspective can capture the fullness of what is there to be seen. In shared reading and viewing, we experience this truth directly as each participant illuminates different facets of a complex work.
2. Reclaiming Attention in an Age of Distraction
Our moment is characterized by a crisis of attention—the average person checks their phone 96 times daily, and sustained focus has become increasingly rare. The Symposium Institute’s approach creates a protected space for a different relationship with attention:
- The social commitment to others creates accountability that helps overcome the pull of distraction
- The slow pace allows participants to notice when their minds wander and gently return to presence
- The collective energy of focused attention creates a unique field of concentration that is palpably different from solitary reading
In a culture that commodifies our attention and fragments it into ever-smaller pieces, gathering to attend deeply to a single work is a countercultural act with profound personal benefits.
3. Embodied Learning in a Disembodied Age
Digital life increasingly pulls us toward disembodied experience—minds engaged while bodies remain passive. Communal reading and viewing reintegrates these dimensions:
- Physical presence with others activates mirror neurons and emotional resonance
- Speaking insights aloud engages different cognitive pathways than silent reflection alone
- The rhythm of shared breathing and attention creates subtle synchronization among participants
- Research consistently shows that embodied, multi-sensory learning creates stronger neural pathways and deeper integration than purely intellectual engagement.
4. Cultivating Intellectual Humility and Nuanced Thinking
In an era of polarization and algorithmic echo chambers, spaces for nuanced, exploratory thinking are increasingly rare. The seminar setting fosters:
- Comfort with complexity and ambiguity rather than reductive certainty
- Intellectual humility when encountering divergent interpretations
- The experience of holding multiple, sometimes contradictory perspectives simultaneously
These qualities—increasingly essential for navigating our complex world—are difficult to develop in isolation or in spaces dominated by debate rather than dialogue.
5. Recovering Contemplative Traditions in a Reactive Culture
Our digital environment rewards quick reactions and hot takes rather than patient contemplation. The slow reading approach reconnects participants with contemplative traditions that have nourished humanity across cultures:
- The Jewish tradition of Havruta, studying texts in partnerships
- The Socratic method of philosophical dialogue
- The Christian lectio divina practice of sacred reading
- Buddhist traditions of mindful text engagement
These approaches share a recognition that wisdom emerges not from rapid consumption but from patient, relational engagement with profound works.
6. Creating Authentic Community Beyond Affinity Groups
Social fragmentation has reached new extremes, with Americans increasingly sorting themselves into homogeneous communities based on political, cultural, and economic affinities. The humanities seminar creates a different kind of community:
- United by shared engagement with a text rather than shared identity or ideology
- Connected through vulnerability and discovery rather than performance or position
- Experiencing intellectual intimacy that transcends surface-level categorizations
In a time when algorithms continually narrow our exposure to difference, these spaces create rare opportunities for genuine encounter across divides.
The Unique Value of This Moment
While social learning has always been valuable, several factors make it especially precious in our current context:
- As digital literacy replaces deep reading skills, spaces that nurture sustained textual engagement become increasingly rare and necessary
- As artificial intelligence generates endless content, discernment and wisdom in engaging with human cultural treasures becomes more vital
- As efficiency-thinking dominates, deliberately inefficient practices like slow reading preserve essential human capacities
- As knowledge work becomes increasingly solitary, opportunities for intellectual companionship address a fundamental human need
An Invitation to Countercultural Engagement
The Symposium Institute’s “For Our Moment” series offers more than content acquisition or aesthetic pleasure. It invites participants into a countercultural practice of attention, embodied presence, intellectual humility, and authentic community. In choosing to read together rather than alone, to look together rather than separately, participants aren’t just making an educational choice—they’re making an existential one.
They’re choosing to resist the fragmentation, acceleration, and isolation that characterize so much of contemporary life, and to recover modalities of engagement that humans have found nourishing across centuries and cultures. They’re choosing to remember what it means to be fully human in an age that too often reduces us to consumers, users, and isolated minds.
In our moment of unprecedented access but diminished attention, the ancient practice of gathering around a text or artwork isn’t obsolete—it’s essential. It reminds us that wisdom has never been merely about access to information or ideas, but about how we encounter them: with patience, in community, through the fullness of our humanity.
“Our Moment” Series Pricing:
Slow Reading Subscribers: Free
Non-subscribers:
One Seminar Series: $85
Bundle Options: Choose from among “Stories for Our Moment“, “Wisdom for Our Moment“, “Beauty for Our Moment”
Two-Pack: $155
Three-Pack: $215
Full Year of “Our Moment” (12 seminars): $765 ($63.75 per seminar)
25% discount off individual pricing
Savings of $255 total
Registration Form
This form applies to the "For Our Moment" offerings: "Stories for Our Moment", "Wisdom for Our Moment", and "Beauty for Our Moment".