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Arc of Modernity

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Luis Vaz de Camoes’ The Lusiads (1572) 
 
The “Arc of Modernity” Rides Again! 
 
First seminar: Tuesday, January 7th
Day/Time: Tuesdays, 8 pm EST| 2 pm CST| Noon Pacific 
Meeting Frequency: Weekly 
Session length: 1.5 hours
Instructors: Reynaldo Miranda
Pathway Duration: 1 Quarter (3 Months)
Cost: $250 subscription to slow reading pathways (includes all access to slow reading pathways)  
 
 
January-March 2025 
Luis Vaz de Camoes’ The Lusiads (1572) 
 
Perhaps you’ve read or heard the Iliad, the Odyssey, and the Aeneid.  But do you know there is a modern, foundational epic poem that approaches the classical epics in artistry and grandeur?  Luis Vaz de Camoes’ The Lusiads (1572), at once the national epic of Portugal and the cornerstone of Portuguese literature.  This epic tells of Camoes’ ancestor Vasco de Gama’s voyage around Africa to the Indies of 1497-99, at the very beginning of the Age of Discovery and of European global hegemony.  On the surface there is celebration of truly amazing feats, and yet there is also a palimpsest there for the close reader that calls into question the imperial project at the boarding and sailing out of Lisbon, and subsequently.
 
Quickly translated into Castilian, Italian, English, Dutch, and French over and over again.  We will be reading an exceptionally excellent and recent English translation by Landeg White, with annotations by the translator who lived many years in India, published in the Oxford World Classics paperback series (1997).  
 
For this work HRM Philip II, King of Spain, granted Camoes the honorific title of “Prince of the Poets of Spain” in 1580.  Cervantes called him the “singer of western civilization.”  This is no wooden imitation of Vergil’s Aeneid: Voltaire called attention to Camoes innovations upon the epic and classical tradition: the introduction of doubt, contradiction, and questioning; the primacy of rhetoric over action; the mediation of action by words to necessarily unresolved points which make for movement and metalanguage; the use of the golden section and proportion so that the highpoint of the poem is at the golden mean, the arrival of the sons of Lusius (the Lusitanians /Portuguese) in India; the mirroring on either side of the golden section, the death of Ines de Castro and Cupid’s efforts to unite the heroic Portuguese and the water nymphs.  It is a wild ride that very much deserves to be read.  
 
Its 1,102 stanzas in decasyllabic verse in ottava rima are divided into ten cantos.  We generally read one canto per week.  Devoting two meetings to the first and last cantos, and having a chance to look back at the whole poem.
 
This is the first book in our “Arc of Modernity” reading pathway, followed by Don Quixote, Parts I and II, the parent and prototype of the modern, European novel in quarters 2 and 3, 2025.   
 
Please join us for a free taster seminar as we read Canto I in October with Reynaldo Miranda.
 
Arms are my theme, and those matchless heroes
Who from Portugal’s far western shores
By oceans where none had ventured
Voyaged to Taprobana and beyond,
Enduring hazards and assaults
Such as drew on more than human prowess
Among far distant peoples, to proclaim
A New Age and win undying fame;
 
The Design of the Pathway, “Arc of Modernity
 

Many historians agree on when modernity began — it began in the 15th C. and was followed by early, middle, and late periods.  But where did modernity begin?

The regional and cultural roots of modernity first appeared in Italy and the Iberian peninsula. Those roots continued to nourish European intellectual ambitions in the same way it nourished continental exploration.

Ariosto’s Orlano Furioso, Cervantes’s Don Quixote, and Camoes, The Lusiads (worthy successors to the works of Homer and Virgil in the Mediterranean world, and interesting in their own right) exerted no less influence on French and German writers as they did in the so-called New World. Later writers, who grew from the rich Iberian soil — Unamuno, Ortega y Gasset, and Santayana, for example — were attuned to the spirit of modernity while offering incisive diagnoses and critiques of their inherited traditions.  Readers in the United States often overlook the great literary works of Iberia that reach out across the Atlantic to the Americas.

In this reading pathway, we will undertake our own sailing expeditions back to discover particular regional origins of modernity and see the ways that the same hispanophone traditions grew into mature self-critique, or the ways that they recovered therapies for modern ills. See for yourself why these works might be included among the greatest in the world.  

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